Book Release Celebration! Introducing Chapter 3: Community & Kirsten

To celebrate the release of our brand new book, "Twelve by Twelve: The International Art Quilt Challenge" we are offering you a chance to win a free copy! Here's how it works:

Over twelve days, we are posting a question each day and invite you to respond in a comment. At the end of the twelve days, we'll randomly choose a winner (or winners!) from among those who have commented. Each comment you leave will count as a separate entry, so if you comment each day to answer each question, you'll have twelve entries.  The book drawing is closed.  Stay tuned for the winner details.

Twelve by Twelve Theme Series by Kirsten Duncan

My chapter in the book is Community and you are part of our community so we are loving this opportunity to get to know you better - it's so much fun to read everyone's comments, those from old friends and also those from people we haven't yet met.

Brunswick Street by Kirsten Duncan

The most common jumping-off point for me when making a new quilt is the palette that I will use for that quilt. Colour constantly thrills and inspires me. So my question for you is this -

If you could pick our next Colourplay challenge, what palette or colour would it be?

I haven't had my turn at choosing our palette for this Colourplay Series, so maybe you will influence me! Kirsten :)

Most Colorful

This should be easy, just look at the mosaic of all 144 quilts and pick out the one that stands out as using the most color, right? Not so easy.

I set about circling all the ones I thought used a lot of different colors, and came up with 34! OK, maybe I'm looking at this from the wrong direction. I thought about it for a while and came up with 2 new "subcategories" within most colorful.

The first award is "The Twelve that uses the most color in her quilts", and that award goes to Diane. Although everyone of us had at least one piece with a rainbow of colors, Diane had several, including "All Togehter Now" in the Community theme, and the wonderful "All Hands" in our "Twelve" theme.














The second category is "Most Colorful Theme", and that award goes to "Twelve". This was really a judgement call on my part, as several themes used a lot of color, but on this theme the variety of colors really stood out, including Gerrie's "The Twelves", Kirsten's "Midway", Terri's "12x12 The Board Game", Deborah's "Seven Houses, 5 Trees", Terry's "Twelfth of Twelve", and Nikki's "The Kissing Number".

I had fun reviewing all of our themes once more, and it made me so proud to be a part of this group.

Gallery Views

Following some group musings, and a coincidental prompt from one of our readers, the entry pages to the Dandelion, Chocolate and Community theme galleries have been revamped to display a larger mosaic and therefore more quilt detail. Click the thumbnails to see for yourself:

A Community Gallery

A new set of gallery pages has now been added to the Twelve by Twelve website featuring our community-themed quilts. I am always fascinated as I put these mosaics together to see how common designs elements such as grids and colour can unify an otherwise very diverse collection of pieces:

Today I'll be updating other parts of the website to link to the new gallery. Please e-mail me if you notice any broken links or other maintenance issues.

Community questions

As always, I've loved seeing how we all interpreted this theme -- and I've been thinking about each of our responses to the same idea. I've noticed that most of us have included (either in the pieces or in our description of our processes) some ambivalence about community... Some level of discomfort or sadness or feelings of exclusion or tension...

And that has got me thinking about how, as fiber artists, we have various communities to share our work but we essentially work alone as we create. Art is essentially a solo activitity -- so I wonder whether the fact that we are doing this work in the first place, and clearly value the solitude that is necessary for this sort of creativity, influences our feelings about community?

I guess I've been wondering if you took any 12 random people and asked them to express their feelings about the concept of community, whether you'd get the same sort of conflicting feelings that our pieces reflect?

Or does this say something about us in particular?

Attached Disconnected

Yikes! I thought April 1 was the deadline and now I see I'm late. So sorry.

This theme was a big struggle for me. I have not had a chance to read through all the other posts, but I suspect it was a challenge for others as well. My quilt is called "Attached Disconnected."

I was inspired by many of my own experiences in various communities -- as a military family, as a church member, as a PTA volunteer, as a home owner in a few different places, as a mother, daughter, sister, wife, as a member of other clubs, groups and organizations. Just because we might have one thing in common does not mean we have everything in common. We can be a community both because of an in spite of these qualities.

Then I began to think about how to put these ideas into the cloth. This is when I just had to let the materials and my own sense of style and design take priority rather than try to be too literal.

The sliced up nine patch is a bit representative of a neighborhood block. Do the circle represent connected-ness or evolution? Or do I just really like circles? All the embellishments are things you could use to attach one thing to another. I'm really pleased with how they look. I'm pleased with the binding too. I had a beautiful bit of yarn in my stash that coordinated perfectly. I just zipped it over the edge. Each of my 12x12 quilts have had a somewhat interesting border treatment. That's been a fun additional challenge for me.

Later in the week I'll post a bit more about my process and my many false starts. Gerrie will notice that in the end, I went to my comfort zone color palette -- ah, the green and the purple!

Neighbourhood

I really had a hard time deciding in which direction to go... I finally chose my neighbourhood community, maybe because I've been doing several little quilts related to houses and neighbourhood these last months.
This is a very simplified view of my neighbourhood. Nice little houses with small gardens... A lovely, quiet and friendly neighbourhood. But as our children are growing, the links between our families seem nevertheless to be fading. I sometimes see each house as a kind of spiral centering on itself. Don't get me wrong, I still like the place where I live, but I'm a bit nostalgic of the good old time when the kids were all playing together in the street.
I made another quilt on the same theme, using my carved printing block, but I much prefer the first one. I'll post more about this on my blog soon.

Brunswick Street

I apologise, everyone, that I am cutting and pasting this post from my blog because today I am sick and can hardly think straight enough to write anything fresh! When I am well again, I'll come back and visit your quilts and comment.

Remember how I managed to be a month early for my Twelve by Twelve challenge? I'm still amazed by that, but...

TA DAH!!

Here it is.

The theme was "Community" and even though it's a huge cliche to see a community as a tree, the more I thought about this theme the more meaningful that tree image became to me. We have moved quite often and the communities that I have been a part of that have meant the most to me and that I have enjoyed the most have been the ones where every individual is valued and appreciated for who they are. I love to be in communities where every leaf is different and there are a few nuts growing amongst them! In February I visited Melbourne and met up with some bloggers ( Hi Crafty! Hi Stomper!) for dinner in Brunswick Street. It must be one of the best places in the whole world! While we were sitting there talking I watched out of the window as people walked by - Harajuku-styled kids, an old guy on a bicycle who was a dead ringer for Robert Winston, tattooed chicks in leathers and, later, as we walked along the street, a middle-aged transsexual in a really bad blonde wig sat reading the paper.

My People

Originally conceived as a series of cut out paper doll stencils, my "people" took on a life of their own as hand painted stamps. Some defied definition and assumed certain imperfections. Others lost their grip and can be seen flailing and teetering despite being surrounded by people. A community can be like that.

District Six

I have a soft spot for all things South African and as soon as the theme was announced found a way to connect my quilt with Cape Town. District Six was a vibrant, multi-ethnic community which was cleared by forced removals during the apartheid era. Over 60,000 occupants were forced to move to the 'homelands' where there was little or no infrastructure or employment or else ended up in the desolate 'townships' in the Cape Flats. The area was destined for redevelopment but in fact was never built on again.

The District Six museum, is now a place of remembrance to a destroyed community. One worker, employed to bulldoze the houses and shops had the foresight to save the street signs which now hang in the museum over a giant map on the floor of the main hall.

I printed these out to use as the left and right 'bars' of the quilt. The top and bottom are my first attempt at stamping fabric using a Sherril Khan stamp from a fabric paint kit my husband bought me to play with. I suspect the letter stamping could be more distinct but we live and learn. I plead the excuse for having 2 weeks less than the rest of you due to my holidays!

I wanted to represent firstly the shame of the heart being ripped out of the comunity, hence the missing centre of the quilt. I made the bars seperately and sewed them togther by hand whipstitch ( badly as you can see - and the photo makes it look even worse!) Recently there have been attempts to start to rebuild the community with 24 houses first being built. On 11 February 2004, exactly 38 years after being rezoned by the government, Nelson Mandela ( my all time hero!) handed the keys to the first returning residents, Ebrahim Murat (87) and Dan Ndzabela (82).

I could not fit 24 houses on but these mobile like houses dangling in the space represent the 'drop in the ocean' start to fill in the gap left by apartheid. The houses are made by free motion embroidery on some stiff white stuff I was sold to make fabric postcards with ( but never did!) I have no idea what it is called! I do feel that my vision is far more advanced than my technical skills at the moment. If we ever have an exhibit I might remake this with what I hope will be increased ability by that stage. However for now, I am loving trying new things out with a purpose and being part of our own encouraging, supportive, accepting and playful community.

Fiber Art Community, By the Inch

Thanks to all your encouragement, I stuck with my inchie quilt. The other ideas just didn't come together. I created the background for the quilt with silver painted fabric and gold metallic thread for quilting in honor of the song "Make new friends, but keep the old. One is silver and the other's gold." The inchies I received from a swap at FiberArtBits last summer, with a couple Christmas inchies thrown it to fill out the grid. The artists that I exchanged with are Kate North, Gill Boughton, Gretchen L Van Nostvand, Gwyneth Green, Emily Randall, Steph Winn, Barb Hill, Priscilla Stultz, Ella More, Lorraine Strohkirch, and Diana Becka. I also added a few of my own inchies that I traded. The swirling, spiralling quilting lines are for the chaos of each of our lives, while the grid is the touch of structure that ties each of our lives together, our passion for fiber art. I am so grateful for the community of artists that I have meet on the Internet through Twelve by Twelve, blogging, and exchanges. The supportive environment has helped me to grow so much as an artist and gain confidence in my work.

I was really surprised at how hard this challenge has been. I was plagued by distractions and other obligations, along with inspiration that I just didn't have the skill to carry out. In so many ways, I think, this has been symbolic of my life operating in a community. My life becomes overburdened by the urgent within our family and the important tasks of reaching out in community are put on the back burner. At other times I have grand desires of working toward making a difference in the community, but don't have the knowledge and skills bring them to fruition. This challenge has been an eye opener for me to learn about myself.

Similar differences

Diane and I were on the same wave length with this one. I also wanted to do something abstract which is foreign to me. I wrestled with this for a long time and even now I'm not sure my message gets across. As with some of you who have posted so far, I wanted to show the positives and negatives of belonging to a community, the feeling of being in the right place, and the feeling of being left out, or on the fringe.
I started with a piece of fabric I had thermofaxed with a honeycomb pattern, then added the larger translucent fabric over that, and finally tried to tie it together and seperate it with the handstitching. I started this piece several times and became very frustrated with it several times, but I can tell you I really stretched myself on this and I appreciate the topic. I hope you are similairly stretched when I reveal the next challange.

All Together Now

I had a lot of difficulty settling on a concept for "community," but I knew I wanted to make it abstract. I tend to head in a literal interpretation most comfortably, and I want to push myself away from that familiar place.

This is called "All Together Now." To me, this illustrates various aspects of community (many of which have come up in our discussions as we've explored this theme). Unity. Difference. Messiness. Similarity. Cohesion. Jumble. Irregular. Fitting in and not fitting in. Circularity. Interlocking and overlapping and disconnected components.

You can see that my imagery includes different, irregular rectangle shapes, filled with different numbers and colors of different shapes (which sort of came to represent families to me.) The grid started looking kind of like a neighborhood to me, too.

To be honest, I struggled with trying to turn those shapes into something with a focal point, as opposed to just an expanse of pattern. The circles in the background were my effort to unify the rectangles, and I continued the colored circles with stitching so they'd show up a bit more. The circles made me think of the inter-connectedness of some aspects of community living.

I also made the edges of this very irregular. The quilt itself is an irregular shape -- I've just placed it on a red background to show up the shape, but the red background is not part of the quilt. It's SORT of 12x12 inches! But communities have messy, nonlinear edges (literally and figuratively).

Technique wise, I used my trusty tjanting tool (thank you, Gerry Chase!) and drew the rectangles with brown acrylic paint. I colored the other colors by painting with Tsukineko inks. The base fabric is a white PDF cotton.

To be honest, I'm not sure how successful this is. It's pleasing to me, but sort of jumbly. It's got a crazy, confusing, maybe overly busy aspect to it (to my eye) and maybe that suits the theme of community, too. All in all, exploring this concept and pushing myself to work in an abstract way was a good stretch for me.

Here's a detail shot:



Thanks, Kristin, for such an intriguing theme!

12 by 12 Community

Wow, what a challenging word/concept/idea to put into a quilt. Not a tangible item that readily conjures up an image in your mind the instant you hear or see the word.

Community. When I got to thinking about this word and what it means to me, I got to thinking about how we really belong to many communities all at the same time. You could say that everyone on planet earth is part of a community, everyone in your state/territory/region is part of a community and everyone in your town is part of a community. Then there are the micro-communities. Such as the social groups you belong to, the church you might attend, your school district, and more.

I decided to create my quilt about this teeny tiny community of 12 that is connected through the large and sometimes unpredictable community of cyberspace. Even though we are spread out across the globe, it's amazing how much we have shared and experienced together.

Kristin's Community

You'd think that since this theme was my idea, it would have been easy, but you'd be wrong. I did decide rather early on that I wanted to express my specific relationship to a community -- where we have lived for the past decade or more. I wanted to express the feeling of being in a community without actually belonging to it. I found this abstraction to an emotional state difficult.

I think I my solution ended up pretty pictorial, but I'm not sure that matters. I started by creating the actual community. In my case, this was photos of some of the houses and apartments in my neighborhood. I traced the pictures onto strips of hand dyed cotton shopping bags as these bags are my personal symbol for people. Everyone needs food; everyone carries their food in these bags; bags are available from nearly all the services a community needs to function; etc., etc. Then I wove the strips together since a community is all the people and services woven together by their common history and their interaction. It's not perfect though, hence the raw edges.

Now to express my exclusion. I'm afraid the best solution I came up with was a variation of the universal symbol for "don't" -- the line-through, or X literally slicing through the quilt. I didn't want the anger of a red X, so I chose basic black. I skewed it a bit as well and like that it can be read both as an X shaped barrier or as a window. Either way, I can see the community, but I don't really have full access to it.





Of course, I've confused things a bit by including our house in the community (over the rainbow, the one in the center with the criss-cross fence). Yes, we're there in the community, but there's still barriers (the latest being the day before yesterday when one of our mayoral candidates came door to door to introduce himself -- I recognized him from the posters around town and the local publication, but had to admit that I couldn't vote for him even if I wanted to because I'm only a guest in the country and have no voting rights here).

When I had finished this piece, I wasn't as wowed by it as I was by The Marquise de Coëtlogon, so a week later I tried another take on the subject. In the end I preferred this one.

Themes for Living

I've been living the Twelve by Twelve themes this weekend as some friends from my old neighbourhood came to visit. The dandelions were carefully picked by Eleanor(4); the chocolate buttons are from Belle Fleur; and the place mats were made by Eleanor and Alex (9):

Back to finishing off my community quilt tomorrow. Looking forward to seeing all the quilts on the 31st (US time)! And I wonder what our next theme will be - Karen?!

Virtual Community

Well, finally. I've been searching for an idea that excited me, and wanting to find a way to illustrate "community" in an abstract sort of way. I inevitably head straight for something literal, and this time I want to avoid that.


Anyway, my goal for our Easter getaway was to sketch and doodle and and ponder until an idea hit that made me want to rush to my fabric to play. And, after much lying around on the couch in front of the fireplace to do vigorous thinking, I landed on something I am eager to explore.


I got thinking about the online community, how through the magic of computers and the internet I have found communities of friends -- you all here, for example, other artists, quilters, the Artful Quilters blog ring, the photography friends I'm making on flickr, the political folks I enjoy at Momocrats, and more.


My abstract interpretation will be to play with squares -- simplified computer monitors and keyboards, perhaps connected with snakey lines of stitching? I'm not sure.


But now that I'm unpacked from our holiday and laundry is underway, I will be cutting and fusing and exploring.


And heck, there are DAYS to go before the deadline. Plenty of time.


Sheesh.

I Feel like I Cheated!

I created a quilt using inchies I from an exchange I did with Fiber Art Bits last summer. Each inchie represents someone in the online fiber art community. I really like how the quilt turned out and that all the inchies are so different. But since I didn't do all the work myself, I feel like I cheated. I am still exploring other ideas, but I have had a lot of false starts and rejected ideas. My drawing skills aren't up to the image in my head and my family hasn't given me more than a few minutes at a time to think. I've already told my husband that this weekend is MINE, so hopefully I'll have time before April 1st!

Ideas

I've been thinking about the idea of community and what it means to me. The first thing that comes to mind is neighborhood. We live in a "master planned" subdivision that is designed to foster community. Every house is within walking distance of a small park or playground. We have big community events like an Easter Egg hunt, fire works display for Fourth of July and Tree Lighting Ceremony at Christmas. We have one elementary school where all the kids in the neighborhood attend.

We love lots of things about living here. There are also drawbacks. It's easy to feel isolated. It doesn't always feel very diverse. I fear that some people outside of the subdivision may have some negative stereotypical views about the kind of people who live here. Some of those stereotypes are probably deserved.

As all this was swirling around in my head, I considered using a map of our "community" as the basis for the design of my quilt. I found some great images online.I converted a pdf to a jpeg and then zoomed into a particularly interesting area and I divided it into four six inch squares. I printed them out, cut them out and taped them together to make a 12 inch square. Then I traced the main lines onto a sheet of WU release paper with some sharpies.
I like the curvy street lines and all the tiny boxes lined up next to each other which represent each lot. I was still really just playing with the design. I didn't like the large empty area on my drawing. That's the golf course in real life. I had no plan for constructing the quilt. I considered reverse applique, fusing (of course), painting, hand carved stamps.

I was not feeling motivated or inspired. I've since abandoned this whole map idea and moved onto other images. I guess it's all part of the process.

Finished too.

One of my quilts is finished.
Here's a little peek at it... I hope I'll be able to quilt the other one before the deadline. There's a small picture of it on my blog (just a detail shot too).
Have a nice Easter everyone.