Pièce de Résistance, my very first Twelve by Twelve challenge quilt, is one of my karamatsu, circle stitched resist shibori works featured in the magazine Art Quilting Studio Summer 2013 that goes on sale on 1 June. My contributor copy is still making its way across the Pacific, I can't wait to see the other articles inside!
Detailed tutorials for various shibori techniques are available on my FREE STUFF page.
Thursday, May 30, 2013
Monday, May 27, 2013
Quilt National
I'm just back from Athens Ohio and Quilt National which you can read about on my blog http://www.fiberartmusings.blogspot.com
While there I was asked to participate on a panel discussion about how we came to this point in our artistic lives to enter Quilt National, and I want to quote a few things I said in my talk
"Backtracking for a moment, in 2007 I was asked to join an online group called Twelve by Twelve, The International Art Quilt Challenge , started by Diane Perin Hock."
"Twelve by Twelve was one of those aha moments in my life. I was able to focus on a small piece of work, try out new techniques, and even in a last minute panic, experiment with something purely on instinct."
"...the group was supportive in every way, like a nurturing mother. I think that's just what I needed at the time to build confidence in my artwork"
So thank you Twelves, for helping me to this point in my artistic career.
While there I was asked to participate on a panel discussion about how we came to this point in our artistic lives to enter Quilt National, and I want to quote a few things I said in my talk
"Backtracking for a moment, in 2007 I was asked to join an online group called Twelve by Twelve, The International Art Quilt Challenge , started by Diane Perin Hock."
"Twelve by Twelve was one of those aha moments in my life. I was able to focus on a small piece of work, try out new techniques, and even in a last minute panic, experiment with something purely on instinct."
"...the group was supportive in every way, like a nurturing mother. I think that's just what I needed at the time to build confidence in my artwork"
So thank you Twelves, for helping me to this point in my artistic career.
A Sweet Update
Following Helen's completion of her quilt, here's an updated mosaic of the Sweet mosaic:
And here is an overview of Helen's 2012 Series:
And here is an overview of Helen's 2012 Series:
Sunday, May 26, 2013
Sweet reveal: Leave my Land Alone
You might recall that I for the special 12/12/12 reveal I managed to produce only an insipid, contrastless, unexciting map. You can read the sorry tale here . Since than the map - which looked like this
has sat unloved on a corner of my work table. every now and agan I'd pick it up and mutter 'Sweet, sweet, sweet. Come on. Think. Sweet.' but no ideas came. I did not know whether to bin this and start again.(But I had no alternative ideas). Or to make this work. (But I didn't know how.) I hated it. I hoped everyone would forget that I never finished it. then I got news that the 20/12 quilts were wanted for exhibition. I had to finish it. Then one day I was tidying up some boxes of scraps and bits and this sample Maasi warrior fell out onto the top of the sweet map.
Ta-Dah! Of course.. it needed a man. That much should have been absolutely obvious from the outset. Mostly because the quilt is about the story of how the government are taking the land of the Omo tride in Southern Ethiopia to make sugar plantations. The maps shows their current land and how much will be affected by their forced relocation.(Read more here). For me the stories in my quilts are always about the people and their lives. Not the landscape. So, how I didn't think to add an Omo tribesman with his traditional body paint I will never know.
Especially as the first page in my Studio Filofax, which I open almost every day, is, um, a picture of an Omo tribe family.. (Doh!)
And the great irony is that this most hated and loathed quilt is now my favourite of my 20/12 series!
Time will do great things.
Tuesday, May 21, 2013
Using Sheers in Fabric Collage
I'm thrilled to be offering another webinar through Quilting Daily (the same folks that do Quilting Arts magazine, TV show and dvds). This one is all about using sheer materials in fabric collage.
The live webinar is TOMORROW May 22 at 11:30 am EST. If that fits your schedule and you're interested in hearing all kinds of things about sheer fabrics and the cool ways you can use them in your artwork, you should register! You'll get an email confirmation right away, then you just log in tomorrow. If you can't attend tomorrow, but are still interested, register anyway and you'll get a code to download the audio and video of the webinar anytime you like.
One of the cool things about webinars is that anyone anywhere can join in. I think it's just amazing that our 12x12 project has fans all over the world and I'm excited that some of you might be able to join me tomorrow.
I just went back and did a count of all my 12x12 quilts --- the Theme Series, the ColorPlay series and the 2012 Series. Guess what... I used sheer fabrics in 18 of my 29 quilts.
Here is my quilt, Garden Gate, from the Rusty theme of the ColorPlay series. It incorporates a sheer silhouette of a crocus created with tulle. I will be discussing this technique --- and many others -- in the webinar.
The live webinar is TOMORROW May 22 at 11:30 am EST. If that fits your schedule and you're interested in hearing all kinds of things about sheer fabrics and the cool ways you can use them in your artwork, you should register! You'll get an email confirmation right away, then you just log in tomorrow. If you can't attend tomorrow, but are still interested, register anyway and you'll get a code to download the audio and video of the webinar anytime you like.
One of the cool things about webinars is that anyone anywhere can join in. I think it's just amazing that our 12x12 project has fans all over the world and I'm excited that some of you might be able to join me tomorrow.
Monday, May 13, 2013
International Fiber Art Showcase: 14-17 August 2013
Colorplay will be a special exhibit at AQS Quilt Show, Grand Rapids, Michigan, USA 14 – 17 August 2013 along with quilts from the Philippines, Germany and the Tentmakers of Cairo.
Be first in line to reserve your tickets, schedule your classes, and secure your seat for special events - all from the comfort of your computer. Registration opens to the public on May 13, 2013 at 9:00 a.m. central time.
See www.aqsshows.com/AQSGrandRapids/ for more information.
Be first in line to reserve your tickets, schedule your classes, and secure your seat for special events - all from the comfort of your computer. Registration opens to the public on May 13, 2013 at 9:00 a.m. central time.
See www.aqsshows.com/AQSGrandRapids/ for more information.
Wednesday, May 8, 2013
Colourplay in Down Under Textiles
Look out for the Colourplay article in Issue No 10 of Down Under Textiles magazine:
Here's a peek but there is more!
The magazine also has articles on Radiance dyeing; how to use deColourant; screen printing with Sally Westcott; breakdown printing and other techniques.
Here's a peek but there is more!
The magazine also has articles on Radiance dyeing; how to use deColourant; screen printing with Sally Westcott; breakdown printing and other techniques.
Wednesday, May 1, 2013
Three Twelves in Portland
After teaching and exhibiting in Paducah, I am spending a few days in the Pacific Northwest to celebrate my 30 year anniversary as a high school exchange student to Sunnyside, Washington State. Time constraints meant I could only wave to Nikki across Puget Sound but I was able to meet up with Terry and Gerrie in Portland.
The train ride from Seattle to Portland was very scenic and I felt like I was living Nikki's BrownSageBlue Colourplay quilt. Coming into Portland, Big Pink dominated the horizon. (Alas Mt Hood, from Terry's BlueWhiteBlack quilt, stayed hidden.)
Terry whisked me away for dinner with her husband, Gerrie and Mr C before entrusting me with her sanctuary/studio where I had the best night's sleep this week.
We met up again at Gerrie's the next day and, after much oohing and aahing over quilts, ventured downtown for the cultural experience of Portland food trucks.I got to indulge my longing for true Mexican food and the sun appeared on cue (albeit getting into Gerrie's eyes too).Then we made a pilgrimage to Powell's bookstore where we found our book Twelve by Twelve: The International Art Quilt Challenge and did what any self-respecting authors would do - we pulled it out, placing it front and centre and snapped some photos.A truly heartwarming 22 hours in Portland. Thank you Terry and Gerrie!
The train ride from Seattle to Portland was very scenic and I felt like I was living Nikki's BrownSageBlue Colourplay quilt. Coming into Portland, Big Pink dominated the horizon. (Alas Mt Hood, from Terry's BlueWhiteBlack quilt, stayed hidden.)
Terry whisked me away for dinner with her husband, Gerrie and Mr C before entrusting me with her sanctuary/studio where I had the best night's sleep this week.
We met up again at Gerrie's the next day and, after much oohing and aahing over quilts, ventured downtown for the cultural experience of Portland food trucks.I got to indulge my longing for true Mexican food and the sun appeared on cue (albeit getting into Gerrie's eyes too).Then we made a pilgrimage to Powell's bookstore where we found our book Twelve by Twelve: The International Art Quilt Challenge and did what any self-respecting authors would do - we pulled it out, placing it front and centre and snapped some photos.A truly heartwarming 22 hours in Portland. Thank you Terry and Gerrie!